Moon Drops

Titolo del film in lingua originale
Moon Drops
Durata (Minuti:Secondi)
16:00
Categoria
INTERNATIONAL SHORT FILM COMPETITION
Genere
SCI-FI OR FANTASY
Paese di produzione
Israel, Serbia
Lingua del film
No dialogue
Sottotitoli
Inglese
Autore(i)
Yoram Ever-Hadani
Regista(i)
Yoram Ever-Hadani
Eventuali premi vinti dal film
1. COMIC-CON. SAN DIEGO JUDGES’ CHOICE AWARD
2. COMIC-CON. SAN DIEGO BEST SCI-FI / FANTASY
3. COMIC-CON GRAND RAPIDS, MICHIGAN BEST LIVE ACTION
4. SAPPORO SHORT FILM FEST, JAPAN BEST NON DIALOGUE FILM
5. GEN CON, MINNEAPOLIS BEST SCI FI
6. DRAGON CON, ATLANTA BEST FANTASY FILM
7. DUSSELDORF FILM FEST AUDIENCE AWARD
8. FESTIVAL DU FILM MERVIELLEUX PARIS GRAND PRIX
9. YUBARI FANTASTIC FESTIVAL, JAPAN BEST ART
10. PROKUPLIJE SERBIA BEST FICTION FILM
11. BRUKIVKA FILM FESTIVAL, UKRAINE, BEST SCI FI
12. PSSST SILENT FESTIVAL CROATIA, AUDIENCE AWARD
13. FESTIVAL DU CINÉMA ISRAÉLIEN DE PARIS FESTIVAL OPENER
14. CAMBRIA CALIFORNIA DIRECTOR’S ARTISTIC ACHIEVEMENT
15. LOBO FEST BRAZIL – ELDER AUDIENCE AWARD
16. Saint-Petersburg International Film Festival (SPIFF) – Best Romantic film
Sinossi del film in inglese
A factory worker assembles an enigmatic machine that produces liquid drops from the moonlight.
Produttore(i)
Yoram Ever-Hadani, Kobi Hoffmann, Milos Djukelic
Società di produzione
Jiminy Creative, Red Production
Data di produzione
Movie news
Breve biografia del regista
Yoram Ever-Hadani has more than one string to his bow. He has been directing high profile commercials for the biggest international brands, he wrote 5 children books, and a novel (HAZE) for the acclaimed Keter publishing house. Ever Hadani has an MA degree from Tel- Aviv University in culture studies.
Yoram is married and father of three.
Moon Drops is his first fiction film.
Cast Tecnico e Artistico
Writer - Yoram Ever-Hadani
Cinematographer - Tobias Hochstein
Editor - Shaun Broude
Sound Design - Assaf Bitton
Art - Yaakov Turjeman
Commento del Regista
When thinking of Moon Drops I tried to touch some of the simplest human emotions. I felt that pure emotion has no need in words. It was important for me to set this innocent tale in a harsh and bleak surrounding, and not in a typical fairy tale setting. By art and wardrobe, I intentionally wanted to detach the viewer from a clear time and place.
NO doubt the amazing Belgrade locations and actors took the story even further than planned.
It was a magical journey.
Images